Hello Dearest,
Here is the answer for your questions on balance and composition! There are a million lessons in this piece!
Peter, the photographer, grounded the composition with the use of the dark foreground. Not that you always need to floor a composition with a dark foreground, but that is what is happening in this piece. The use of the "brick ledge" on the back wall makes a very nice frame for the "action" portion of the photo: the black vertical lines create quite a musical pattern which is backlit by the light blue cool glow on the wall. It is very nice indeed that he did not cut the phot in half with that brick ledge; instead it is placed in the composition above its center...a smart move. Then notice how the two windows balance the weight of the blacks in the foreground. A little shape on that side wall, plus the light shining from the top window above the black verticals, gives that traditional triangle of composition that I was showing you once in "The Modonna and the Goldfinch"...you might not remember-that was a long time ago.
Peter effectively uses color to balance also...the warm light glow on the back wall and on the ground in front fades into warms that comfort.
Importantly, the photo demonstrates clearly Theme and Variation. The theme is carried in the black verticals, a musical pattern...you can imagine it sounding like the long low notes of a bassoon. The bricks give four piccallo'd staccatos while the horizontal line in the top window sopranos over them. The beats are faster on the left with the close lines that slows to the lower window that is divided by one line. The lines carry the theme but are varied in size and duration, like music.
I see more things...but instead of telling you all that I see, why you don't you tell me?
I will give you a clue to one...what do you think of that piece of wood that is lying on the ground along the back wall?
Love,
Mom
Thank you, Peter!